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In 1892,  a rising George Moore was 40 years old and living in London. His hardest and most inspired work was writing Esther Waters (1894). He took a short detour to revise Vain Fortune, but did not make it a masterpiece. His most visible work was weekly art criticism for the Speaker, some of which which he planned to collect in Modern Painting (1893). There are 27 extant letters from the year 1892.

1892-01-09 to Charles Scribner’s Sons

1892-01-28 to Charles Scribner’s Sons

1892-02-01 to Lemuel W. Bangs

1892-02-01 to Charles Scribner’s Sons

1892-02-09 to Charles Scribner’s Sons

1892-02-29 to Maurice Moore

1892-03-01 to Maurice Moore

1892-03-03 to George Sims

1892-03-11 to Clement Shorter

1892-03-16 to Clement Shorter

1892-03-16 to David Croal Thomson

1892-03-17 to Clement Shorter

1892-03-27 to Charles Scribner’s Sons

1892-03-29 to Angelena Frances Milman

1892-04-29 to Clara Lanza

1892-05-02 to to Lemuel W. Bangs

1892-05-06 to Clement Shorter

1892-05-07 to Edmund Gosse

1892-05-22 to Édouard Dujardin

1892-06-24 to James Stanley Little

1892-06-28 to Maurice Moore

1892-09-26 to Anna Blake Murphy

1892-09-26 to Maurice Moore

1892-11-26 to the Editor of the Speaker

1892-12-12 to William Archer