A67 George Moore’s Correspondence with the Mysterious Countess
georgemooreinteractive.org · https://georgemooreinteractive.org/a67-george-moores-correspondence-with-the-mysterious-countess/
A67 George Moore’s Correspondence with the Mysterious Countess
Table of Contents
A67-a First edition
Title Page
DAVID B. EAKIN and ROBERT LANGENFELD
George Moore’s
Correspondence with
the Mysterious
Countess
ELS [script monogram]
English Literary Studies
University of Victoria
1984
Launch
Published August 1984 at $6
Description
Height: 9 in; 22.86 cm
Width: 6 in; 15.24 cm
[1-2]8, [3]4, [4-5]8; pp 72, comprising;
- title page, with series editorial and copyright information on verso, pp [1-2];
- dedication, verso blank, pp [3-4];
- table of “CONTENTS”, verso blank, pp [5-6];
- “ACKNOWLEDGEMENTS”, verso blank, pp 7-[8];
- “INTRODUCTION”, pp 9-15;
- p [16] blank;
- “NOTES TO THE INTRODUCTION”, with “Textual Note” on verso, pp 17-18;
- text of letters, pp 19-69;
- pp [70-72] blank;
- issued in heavy tan wrappers,
- with p [2] blank,
- list of other titles in series, p [3],
- notes on editors of this volume, p [4],
- and lettered on front:
first five lines as on title page, but in bold type
caricature of GM (by A. P. Allison)
No. 33 ELS [script monogram] Monograph Series
- and spine lettered down:
EAKIN
LANGENFELD [space] GEORGE MOORE’S CORRESPONDENCE
[space] ELS
Contents
In addition to the “Introduction” and “Notes” by the editors, there are twelve letters from GM (1903-06) and twenty to him from “Gabrielle”. Portions of the GM letters were quoted by Hone, not always accurately, in his biography (B44).
Gabrielle’s letters were used by GM as the basis for some of the dialogue in The Coming of Gabrielle (A39) and its earlier version, Elizabeth Cooper (A33). Late in life GM had a manuscript of her letters prepared for publication, but it was never printed.
The letters, as given here, are from that manuscript (now at the Humanities Research Center of the University of Texas), and GM’s afterword to it is included in the editors’ introduction.
Hone, in a reference to the projected edition (p 429), quotes from this “afterword”, but calls it the “preface”.
Source: Curated by George Moore Interactive LLC (georgemooreinteractive.org) — Shared for research, educational, and personal use.